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Francis Bacon

English , 1561-1626

Gemälde ID::  30912

Streichend
mk68 Oil and tempera on canvas New York Museum of Modern Art 1946 Britain
mk68 Öl und tempera auf Leinwand New York Museum Moderner Kunst 1946 Britannien An
English , 1561-1626

   
 

 

 
   
      

This artist (Nicolas de Stael) is not available now.


Gemälde ID::  57006
Painting
mk250 Year in 1933. 172.7 x 195.6 cm. New York Museum of Modern Art.

   
 

 

 
   
      


Gemälde ID::  67459
Painting
Description MIM Painting.jpg English: Painting of a composer (?) as a child at the MIM, Berlin.

   
 

 

 
   
      

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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

Gemälde ID::  68632
Painting
Technique Oil on canvas Dimensions 250 ?? 125 cm
(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      

This artist (Marsden Hartley) is not available now.

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Almeida Junior

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

Gemälde ID::  70923
Painting
Medium Oil on canvas Dimensions 250 x 125 cm
(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

   
 

 

 
   
      


Gemälde ID::  77189
Painting
Armstrong Oil on Canvas Date Unknown date cyf
1836-1918

   
 

 

 
   
      

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E.Phillips Fox

Australian Naturalist Painter, 1865-1915

Gemälde ID::  79793
Painting
oil on canvas canvas canvas 151.6 (h) x 112.6 (w) cm cyf
Australian Naturalist Painter, 1865-1915

   
 

 

 
   
      

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Edmund Blair Leighton

1853-1922 British

Gemälde ID::  79965
Painting
oil on canvas Date 1903 cyf
1853-1922 British

   
 

 

 
   
      

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Childe Hassam

1859-1935 Childe Hassam Locations

Gemälde ID::  82294
Painting
Date 1893 cyf
1859-1935 Childe Hassam Locations

   
 

 

 
   
      

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Henry Richard S. Bunnett

1845 -1910 David Ross McCord (1844-1930) commissioned Henry Richard S. Bunnett (1845-1910) to paint over 200 oil paintings between 1885 and 1889. The works depicted buildings, views and places around Quebec that McCord felt were of historical importance.

Gemälde ID::  83343
Painting
Oil on canvas, 36 x 26 cm cyf
1845 -1910 David Ross McCord (1844-1930) commissioned Henry Richard S. Bunnett (1845-1910) to paint over 200 oil paintings between 1885 and 1889. The works depicted buildings, views and places around Quebec that McCord felt were of historical importance.

   
 

 

 
   
      

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Henry Richard S. Bunnett

1845 -1910 David Ross McCord (1844-1930) commissioned Henry Richard S. Bunnett (1845-1910) to paint over 200 oil paintings between 1885 and 1889. The works depicted buildings, views and places around Quebec that McCord felt were of historical importance.

Gemälde ID::  83373
Painting
Oil on canvas, 24.5 x 35 cm cyf
1845 -1910 David Ross McCord (1844-1930) commissioned Henry Richard S. Bunnett (1845-1910) to paint over 200 oil paintings between 1885 and 1889. The works depicted buildings, views and places around Quebec that McCord felt were of historical importance.

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Gemälde ID::  84911
Painting
1489-1534. Around 1522. Oil on canvas cyf
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

Correggio
Italian 1489-1534 Correggio Locations
Painting

        
 
   
 

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