Öl auf dem Segeltuch,das echte Aroma von alten Meistern

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James Abbott McNeil Whistler

      1834-1903 James Abbott McNeill Whistler Art Locations

James Abbott McNeil Whistler Venice painting


    Venedig
   James Abbott McNeil Whistler13.jpg
Gemälde IDENTIFIZIERUNG::  4591
 
   
   
   

Palmer, Walter Launt

      American, 1854-1932

Palmer, Walter Launt Venice painting


    Venedig
   new5/Palmer, Walter Launt-927665.jpg
Gemälde IDENTIFIZIERUNG::  19743
  das Öl von 1894 auf Leinwand.
   
   
   

Mikhail Vrubel

      Russian Symbolist Painter, 1856-1910

Mikhail Vrubel Venice painting


    Venedig
   new4/Mikhail Vrubel-943359.jpg
Gemälde IDENTIFIZIERUNG::  31202
  hat der Dekorative Unterausschuss von mk72 1893 forthe Dunker Herrensitz in Moskau Öl auf Leinwand 319x134cm russischem MuseumSt. Petersburg. angestrichen
   
   
   

Paul Signac

      1863-1935 French Paul Signac Galleries

Paul Signac Venice painting


    Venedig
   new11/Paul Signac-247655.jpg
Gemälde IDENTIFIZIERUNG::  36972
  das Öl von mk1151905 auf Leinwand 130x163cm
   
   
   

konrad magi

      konrad magi(1878 to 1925),was an Estonian landscape painter. He was one of the most colour-sensitive Estonian painters of the first decades of the 20th century, and Magi works on motives of the island of Saaremaa are the first modern Estonian nature paintings. Magi received his elementary art education from the drawing courses of the German Artisans Society of Tartu (1899?C1902.) At the same time, he was keenly engaged in theater, violin, and various sports. Magi continued his art education as an unattached student in Saint Petersburg (1903?C1905.) In the autumn of 1907, he went to Paris. There Magi studied at a free academy. From 1908 to 1910, he lived in Norway. In 1912, Magi returned to Tartu, where he worked as an art teacher. In Åland, he created delicate plant vignettes in the style of Art Nouveau: Kahekesi (Two together; 1908; China ink drawing). In Paris, Magi was influenced by Impressionism and Fauvism, which had a significant impact on his colours: Lilleline vali majakesega (A flower field with a little house; 1908?C1909), Norra maastik manniga (A Norwegian landscape with a pine; 1910). From 1918, the influence of Expressionism is manifest, fostered by Mägi extreme sensitivity and emotional response to the anxious times: Puhajarv (Lake Puha, ', ', ', ', ', ', ', '); 1918?C1920), Otepaa maastik (Landscape of Otepaa; 1918?C1920). Also influenced by Expressionism are his big figure compositions Piet?? (1919), Kolgata (Golgatha; 1921). Konrad Magi - Rannamaastik (Beach landscape)Magi new artistic period, begun on a trip to Italy, brought calmer tempers: Varemed Capril (Ruins in Capri; 1922?C1923). Along with nature pictures, he painted flowers and portraits. Magi mostly beautiful female models express the Art Nouveau ideal of beauty: Holsti (1916). In his later portraits from the 1920s, a more serious temper is expressed: Madonna (1923?C1924).

konrad magi Venice painting


    Venice
   new24/konrad magi-356556.jpg
Gemälde IDENTIFIZIERUNG::  72909
  "Venice". Oil on canvas. 70.5 x 57.3 cm cjr
   
   
   

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