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FETI, Domenico
   
Italian Baroque Era Painter, ca.1589-1624
FETI, Domenico Adoration of the Shepherds oil painting artist


FETI, Domenico Adoration of the Shepherds oil painting artist

Adoration of the Shepherds
Verehrung von den Hirten
Gemälde ID::  28319
new3/FETI, Domenico-889769.jpg
mk60 Oil on panel 19x14 1/2"
mk60 Öl auf täfelt 19x14 1/2 Siehe Galerie in Schweden

FETI, Domenico The Healing of Tobit oil painting artist


FETI, Domenico The Healing of Tobit oil painting artist

The Healing of Tobit
Die Heilung von Tobit
Gemälde ID::  29122
new3/FETI, Domenico-262535.jpg
mk65 early 1620s Oil on panel 26x33 1/2"
Ölt mk65 frühe 1620er Jahren auf Unterausschuss 26x33 1/2 Siehe Galerie in Schweden

FETI, Domenico An Actor oil painting artist


FETI, Domenico An Actor oil painting artist

An Actor
EinSchauspieler
Gemälde ID::  29318
new3/FETI, Domenico-384362.jpg
mk65 early 1620s Oil on canvas 41 1/2x32"
Ölen mk65 frühe 1620er Jahren auf Leinwand 41 1/2x32 Siehe Galerie in Schweden

FETI, Domenico David with the Head of Goliath oil painting artist


FETI, Domenico David with the Head of Goliath oil painting artist

David with the Head of Goliath
Gemälde ID::  63052
new21/FETI, Domenico-737227.jpg
1620 Oil on canvas, 153 x 125,1 cm Royal Collection, Windsor Feti was a peripatetic artist. Having been trained in Rome by the Florentine painter, Lodovico Cigoli, he worked at the court of Mantua from around 1613 and towards the end of his life spent some time in Venice. His principal patron was Duke Ferdinando Gonzaga at Mantua and it was with the purchase of the Gonzaga collection in 1625-27 that Charles I acquired a number of works by Feti. The artist was influenced by Venetian painters, as well as by Elsheimer and Rubens. His portraits and a series of small-scale pictures illustrating parables, probably commissioned by Ferdinando Gonzaga, are perhaps his best works. The artists technique is distinctive, with rapid brushstrokes of pure colour applied as highlights over broader areas of paint on canvases primed with dark tones. Similarly, the poses of his figures and the choice of viewpoints are often unusual. David with the Head of Goliath almost certainly formed part of the Gonzaga collection. A version of some quality is in Dresden (Staatliche Kunstsammlungen) and others are recorded. A date around 1620 has been suggested, that is, before the artist moved to Venice in 1622. The pose is somewhat reminiscent of the Ignudi by Michelangelo on the ceiling of the Sistine Chapel in Rome, and it is possible that the painting was meant to be hung as an overdoor. The present work depicts the story of David and Goliath as recounted in the first Book of Samuel, 17:48-51. The shepherd boy, David, defeats Goliath, the champion of the Philistines, in single combat using a sling with a stone. Afterwards David cuts off Goliath's head using the giants own sword. The body of Goliath is visible on the left in the middle distance. Feti cleverly contrasts the large scale of the decapitated head and sword with David's smaller body. Artist: FETI, Domenico Painting Title: David with the Head of Goliath , 1601-1650 Painting Style: Italian , , religious Siehe Galerie in Schweden

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