Öl auf dem Segeltuch,das echte Aroma von alten Meistern


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Jan Boeckhorst
   
Born in Westphalia, in either Menster or Rees, Boeckhorst moved to Antwerp around 1626. He had a close relationship with Rubens's studio, finishing paintings designed by that master as well as assisting with large series such as the joyous entry of Cardinal-Infante Ferdinand in 1635 and the Torre de la Parada. He also collaborated as a figure painter in landscapes and still lifes by Jan Wildens and Frans Snyders, and sometimes painted lively group portraits.[1] He traveled to Italy in the years 1635-1639 and joined the Bentvueghels with the nickname Lange Jan (Tall John). Cornelis de Bie, in his Gulden Cabinet der Edel Vry Schilderconst (The Golden Cabinet of the Honourable Free Art of Painting; 1662), remarks that Boeckhorst was a student of Jordaens. Works in that master's style include large genre paintings of the 1640s such as Peasants going to Market (Antwerp, Rubenshuis), which also acts as an allegory of the four elements. In the 1650s and 1660s Boeckhorst painted altarpieces for churches throughout Flanders and designed cartoons for tapestries.

Jan Boeckhorst Apollo and the Python oil painting artist


Jan Boeckhorst Apollo and the Python oil painting artist

Apollo and the Python
Gemälde ID::  86576
new25/Jan Boeckhorst-676867.jpg
17th century Medium Oil on canvas Dimensions 59.9 x 51.2 cm (23.6 x 20.2 in) cyf Siehe Galerie in Schweden


Jan Boeckhorst Achilles among the daughters of Lycomedes oil painting artist


Jan Boeckhorst Achilles among the daughters of Lycomedes oil painting artist

Achilles among the daughters of Lycomedes
Gemälde ID::  98057
new26/Jan Boeckhorst-474476.jpg
after 1650(1650) Medium oil on canvas Dimensions 129.5 x 179.5 cm cyf Siehe Galerie in Schweden


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