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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z der Index der Künstler


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Künstler: GRECO, El

GRECO, El Christ oil painting picture wholesale

Christ
Gemälde IDENTIFIZIERUNG:: 62355
61 x 46 cm National Gallery, Prague Author: GRECO, El Title: Christ , 1551-1600 , Spanish Form: painting , religious

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Künstler: Francisco de goya y Lucientes

Francisco de goya y Lucientes Portrait of the Poet oil painting picture wholesale

Portrait of the Poet
Gemälde IDENTIFIZIERUNG:: 62356
60 x 49,5 cm Museo de Bellas Artes, Bilbao Leandro Fern?ndez de Morat?n (1760-1828) was a Spanish dramatist and poet. A supporter of Joseph Bonaparte, he lived in exile in France after Bonaparte fell. Moliere, whose works he translated, was his literary model. His plays, satiric and psychologically acute, include El s?de las ninas [the maidens?consent] (1806), for which he was denounced to the Inquisition. He was subsequently compelled to give up playwriting. He was a friend of Goya who painted his portrait twice, this one in Bilbao, and another in 1799 which is now in the Museo de la Real Academia de San Fernando, Madrid. Author: GOYA Y LUCIENTES, Francisco de Title: Portrait of the Poet Morat?n , 1801-1850 , Spanish Form: painting , portrait

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Künstler: Martin Drolling

Martin Drolling Portrait of the Artist's Son as a Drummer oil painting picture wholesale

Portrait of the Artist's Son as a Drummer
Gemälde IDENTIFIZIERUNG:: 62364
120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter

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Künstler: RAFFAELLO Sanzio

RAFFAELLO Sanzio Double Portrait oil painting picture wholesale

Double Portrait
Gemälde IDENTIFIZIERUNG:: 62373
77 x 111 cm Galleria Doria Pamphilj, Rome This austere double portrait of great stylistic restraint, set against a green background, in which the two figures, perhaps intentionally conceived by the artist in the manner of Roman busts, seem not to communicate with one another, has never roused a great deal of enthusiasm on the part of critics. In fact, no one has ever seriously studied of this painting and, even though it is now almost universally agreed to be the work of Raphael, the identity of the two figures has remained highly debatable. Some have seen them as Luther and Calvin (Pamphilj inventory of circa 1684), or as Bartolo da Sassoferrato and Baldo degli Ubaldi, two fourteenth-century jurists (inventory of Olimpia Aldobrandini ante 1665), or as Andrea Doria and Christopher Columbus, an interesting idea, or finally, as Andrea Navagero and Agostino Beaziano, a highly plausible identification that has been accepted by the most recent literature. We know from a letter written by Pietro Bembo on April 3, 1516, to Cardinal Bibbiena, that Raphael, Castiglione, Navagero and Beaziano had planned to make a trip to Tivoli together the following day. It is likely that the artist intended to paint a dual portrait of the two men: Andrea Navagero (1453-1529; humanist and man of letters, since 1515 librarian of St Mark's, who left Rome at the end of April for Venice, so his portrait would have to have been finished before his departure) and Agostino Beaziano (born in Treviso around the last decade of the fifteenth century and died in 1549, he started on a career in diplomacy through the intercession of Bembo, who took him around so that he could establish links with the most famous personages on the Roman scene). It is also likely that the painting was intended for their common friend Bembo, and it is in fact recorded as belonging to him in 1538, when he gave it to the surviving member of the pair, Beaziano, begging him "to take care that [the two heads] do not get spoilt." These facts are confirmed by the contemporary Marcantonio Michiel, who adds that the double portrait was painted on panel. This has led some critics to reject the Doria Pamphilj picture, considering it to be a copy on canvas. Yet it is easy to eliminate this objection, given that the picture here, already listed in the collection of Cardinal Pietro Aldobrandini in 1603 (as "Two portraits both the work of Raffaelle Da Urbino," and thus without any reference to the identity of the figures), later passed into that of Olimpia Aldobrandini Pamphilj, where it was cited before 1665 as canvas applied to panel. The wooden support was later removed, leaving the work in its present state. It would seem therefore correct to identify this picture (of which there are two copies with separate portraits in the Prado) as the Portrait of Navagero and Beaziano, painted by Raphael in April 1516 as a mark of their friendship. However a degree of uncertainty must remain, especially with regard to the age of the figures, which appears to be greater than that of the two men at the time, about thirty-three and twenty-six, respectively. In addition, other portraits that are definitely of Andrea Navagero, such as the 1526 one by Titian's school in Berlin or the one in a Roman collection, raise further doubts about the identification. The difficulties in judging similarities of appearance are well known, especially where historical personages are concerned. So the problem of Raphael's Double Portrait in the Galleria Doria Pamphilj remains unsolved

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Künstler: Caravaggio

Caravaggio The Martyrdom of St Matthew oil painting picture wholesale

The Martyrdom of St Matthew
Gemälde IDENTIFIZIERUNG:: 62389
1599-1600 Oil on canvas, width of detail: 90 cm Contarelli Chapel, San Luigi dei Francesi, Rome A boy who acts as altar-boy to the old man, whose service has been interrupted, flees screaming to the right. He is one of those expressive studies of emotion which, like the Medusa in Florence, have contributed greatly to Caravaggio's renown. Author: CARAVAGGIO Title: The Martyrdom of St Matthew (detail) , 1551-1600 , Italian Form: painting , religious

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Künstler: Caravaggio

Caravaggio The Entombment oil painting picture wholesale

The Entombment
Gemälde IDENTIFIZIERUNG:: 62391
1602-03 Oil on canvas, width of detail: 30 cm Pinacoteca, Vatican The detail shows the head of Mary

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Künstler: MOR VAN DASHORST, Anthonis

MOR VAN DASHORST, Anthonis Sir Thomas Gresham oil painting picture wholesale

Sir Thomas Gresham
Gemälde IDENTIFIZIERUNG:: 62416
1565-70 Oil on panel, 90 x 75,5 cm Rijksmuseum, Amsterdam From 1552 to 1567, the English merchant Thomas Gresham (1519-1579) lived and worked in Antwerp as financial agent of the English crown (`King's merchant'). This prominent social position explains why he had his portrait painted by Mor, who was court artist to Philip II. This Utrecht-born painter was noted for the accurate recording of detail in his portraits. He depicted Gresham as a strong, somewhat reserved personality. Mor also painted a portrait of Gresham's wife, which is likewise in the Rijksmuseum. Author: MOR VAN DASHORST, Anthonis Title: Sir Thomas Gresham , 1551-1600 , Flemish Form: painting , portrait

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Künstler: Leonardo Da Vinci

Leonardo Da Vinci Study for a kneeling Leda oil painting picture wholesale

Study for a kneeling Leda
Gemälde IDENTIFIZIERUNG:: 62436
1503-07 Black chalk, pen and ink on paper, 126 x 109 cm Museum Boijmans Van Beuningen, Rotterdam Leda, the wife of the king of Sparta, was seduced by Zeus in the form of a swan. She gave birth to two eggs from which hatched Helen, Clytemnestra, Castor and Pollux. This and a second compositional plan in Chatsworth show the kneeling Leda gently embracing the swan. With her right hand she is pointing to the children.

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Künstler: Samuel Palmer

Samuel Palmer Self-Portrait oil painting picture wholesale

Self-Portrait
Gemälde IDENTIFIZIERUNG:: 62448
1825 Black chalk heightened with white on buff paper, 291 x 229 mm Ashmolean Museum, Oxford This extraordinary self-portrait the artist drew around 1825, with hollow and haunted eyes, seems an attempt to understand the processes at work within him and projected on to the pages of his sketchbooks. Author: PALMER, Samuel Title: Self-Portrait Form: graphics , 1801-1850 , English , portrait

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Künstler: unknow artist

unknow artist Portrait of Frederik oil painting picture wholesale

Portrait of Frederik
Gemälde IDENTIFIZIERUNG:: 62499
1832 Oil on canvas, 42 x 38 cm Hirschsprungske Samling, Copenhagen A plant is a significant presence in the portrait that the leading Danish painter of the age, Christen K?bke, painted of his friend Frederik S?dring (1809-62) on his birthday in 1832. The smiling, ruddy cheeked landscape painter is seated palette in hand. The vigorous ivy in a pot behind him has a multiple purpose, standing for the friendship that binds artist and sitter, and the creativity that enables him to mediate between nature and the ideal - represented respectively by the pictures of a cow and of Roman ruins pinned to the wall. Once again, while adopting the organic image of creativity common to Romanticism, K?bke's picture presents a wholesome, outgoing impression of the artist's life. Author: K?BKE, Christen Title: Portrait of Frederik S?dring Form: painting , 1801-1850 , Danish , portrait

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Künstler: unknow artist

unknow artist A Turk oil painting picture wholesale

A Turk
Gemälde IDENTIFIZIERUNG:: 62505
1820 Black chalk and watercolour, 301 x 226 mm Mus?e du Louvre, Paris The quiet and melancholy Mustapha was a shipwrecked Turkish sailor G?ricault had found in a Paris street and brought home as a model and companion. It is probably his features, dark eyes sad beneath his turban, that are depicted in several late studies of a Turk that strike the viewer as warmly individualized portraits. Author: G?RICAULT, Th?odore Title: A Turk (Mustapha) Form: graphics , 1801-1850 , French , other

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Künstler: unknow artist

unknow artist The Grandmother's Birthday oil painting picture wholesale

The Grandmother's Birthday
Gemälde IDENTIFIZIERUNG:: 62555
1856 Oil on panel, 71 x 58 cm Royal Collection, Windsor Waldmeller was the most important Austrian painter of the Biedermeier period during the first half of the nineteenth century. Within his lifetime he established a reputation in America, and there was a major exhibition of his work in London in 1862. He was proficient in most aspects of painting - miniatures, landscape, portraits and genre. His career within the art establishment was successful, but not without controversy. Appointed Professor at the Academy in Vienna in 1829, he was an advocate of realist painting and of reform, which led to his temporary dismissal from the post from 1857-64. Nonetheless, Waldmiiller was an effective teacher, an influential theorist, and an immensely popular artist within Viennese society and at court. His success as a painter stemmed from his powers of observation, from his measured style and his wholly sympathetic treatment of subject matter. The accumulation and faithful recording of detail led to an idealism based on the subject matter itself, as opposed to one imposed upon it by an outside order, this being a vital distinction between eighteenth- and nineteenth-century art. Rustic genre was the last theme that Waldmeller essayed. The subjects he chose extolled the moral virtues of rural life, or, as here, the joys of family life. The care taken over the rendering of garments, the still life and the surroundings is offset by the radiance of the figures' expressions, reinforced by their gestures which create a circular composition of great tenderness. Waldmeller was well-versed in the tradition of the Old Masters and the composition has affinities with several paintings by Raphael of the Holy Family - the Madonna Canigiani (Munich, Alte Pinakothek), the Madonna dell'Impannata (Florence, Palazzo Pitti), the Madonna of Francis I (Paris, Louvre) and the Madonna della Perla (Madrid, Prado). Waldmeller's homage to Raphael, however, is seen through the eyes of Correggio. Artist: WALDMeLLER, Fedinand Georg Title: The Grandmother's Birthday , painting Date: 1801-1850 Austrian : genre

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Künstler: unknow artist

unknow artist Hubert Robert oil painting picture wholesale

Hubert Robert
Gemälde IDENTIFIZIERUNG:: 62556
1788 Oil on wood, 105 x 84 cm Musee du Louvre, Paris Artist: VIGeE-LEBRUN, elisabeth Title: Hubert Robert, Artist Date: 1751-1800 French , painting : portrait

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Künstler: unknow artist

unknow artist Judith oil painting picture wholesale

Judith
Gemälde IDENTIFIZIERUNG:: 62557
131 x 96 cm Neue Pinakothek, Munich The Judith of this painting is powerful and strong, but even after her murderous deed a touch of gentleness remains in her eyes. In the painting we see the tendency to psychological interpretation that was to become a feature of 19th-century art. The artist seeks to convey the message of the Biblical story in Judith's facial expression, making this the overall statement. Artist: RIEDEL, August Title: Judith , painting Date: 1801-1850 German : mythological

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Künstler: Joseph Stieler

Joseph Stieler Nanette Heine oil painting picture wholesale

Nanette Heine
Gemälde IDENTIFIZIERUNG:: 62559
nee Kaula 1829 Oil on canvas Schloss Nymphenburg, Munich The competition between the painters nourished the growth of thematic specialization in the academies. In Munich, the term "Fechler" (subject specialists) became current, as painters specialised in landscape, portrait, history, or religious painting. Some fought their way through the fierce competition to become widely celebrated. They include the portrait painter Karl Joseph Stieler, who was commissioned by King Ludwig I of Bavaria to paint a portrait gallery of the most graceful ladies in the land. The subjects include Nanette Kaula, the 17-year-old daughter of the head of the Jewish community, who was married to a nephew of Heinrich Heine, and Amalie Schintling, who died young. Stieler was not only technically highly accomplished, but has also left a document of the ideal of beauty of his time. Artist: STIELER, Karl Joseph Title: Nanette Heine, nee Kaula , painting Date: 1801-1850 German : portrait

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Künstler: Bartolome Esteban Murillo

Bartolome Esteban Murillo Half month's pure conception of Our Lady oil painting picture wholesale

Half month's pure conception of Our Lady
Gemälde IDENTIFIZIERUNG:: 62576
mk284 Oil on canvas 1660 - 1665 Madrid Prado Museum

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Künstler: Bartolome Esteban Murillo

Bartolome Esteban Murillo John the Baptist oil painting picture wholesale

John the Baptist
Gemälde IDENTIFIZIERUNG:: 62582
mk284 Oil on canvas 121 x 99 cm Madrid, Museo del Prado

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Künstler: Bartolome Esteban Murillo

Bartolome Esteban Murillo Good shepherd oil painting picture wholesale

Good shepherd
Gemälde IDENTIFIZIERUNG:: 62583
mk284 Oil on canvas 123 x 101cm Prado Museum in Madrid

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Künstler: Bartolome Esteban Murillo

Bartolome Esteban Murillo Cantaloupe and grapes to eat the children oil painting picture wholesale

Cantaloupe and grapes to eat the children
Gemälde IDENTIFIZIERUNG:: 62584
mk284 Oil on canvas 146 x 104 cm National Gallery of Munich

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Künstler: Bartolome Esteban Murillo

Bartolome Esteban Murillo Shell and the children oil painting picture wholesale

Shell and the children
Gemälde IDENTIFIZIERUNG:: 62585
mk284 Oil on canvas 1670 - 1675 104 x 125 cm Madrid, Museo del Prado

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