Deutschland Öl Gemälde Reproduktion, Kein Minimum!

 
 

This artist (Edvard Munch) is not available now.

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VITALE DA BOLOGNA

Italian Gothic Era Painter , b. 1289/1309, Bologna, d. 1359/69, Bologna

Gemälde ID::  29490

Madonna
1345 Tempera on wood, 155 x 73 cm
der Tempera von 1345 auf Holz 155 X 73 cm
Italian Gothic Era Painter , b. 1289/1309, Bologna, d. 1359/69, Bologna

   
 

 

 
   
      

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Anders Zorn

Swedish 1860-1920

Gemälde ID::  31591

Madonna
mk73 1900 pencil drawing
zeichnend der Bleistift von mk73 1900
Swedish 1860-1920

   
 

 

 
   
      

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Pinturicchio

Italian Early Renaissance Painter, 1454-1513

Gemälde ID::  33231

Madonna
mk83 1489-1492
mk83 1489-1492
Italian Early Renaissance Painter, 1454-1513

   
 

 

 
   
      

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Gentile Bellini

Italian c1429-1507 Gentile Bellini Gallery

Gemälde ID::  41187

Madonna
mk157 c.1475 Wood 75x50cm
das Holz 75x50cm von mk157 C. 1475
Italian c1429-1507 Gentile Bellini Gallery

   
 

 

 
   
      

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Anders Zorn

Swedish 1860-1920

Gemälde ID::  58564
madonna
mk262 olja 1899 konstmuseet, budapest
Swedish 1860-1920

   
 

 

 
   
      

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Petrus Christus

Flemish 1415-1473 Petrus Christus Locations

Gemälde ID::  63561
Madonna
1445 Wood, 55,5 x 31,5 cm Museum of Fine Arts, Budapest We know very little about the life of Petrus Christus, though it is certain that in 1444 he obtained the citizenship of Bruges, then the richest town in Flanders and its main artistic centre. He may have been the pupil of Jan van Eyck, and in his surviving panel paintings we can see that his solutions to problems of composition and his figure types are similar to those of his predecessor. Indeed Christus's delicately wrought and brilliantly coloured works served to popularise the technique and manner of Van Eyck. Some fifteen to twenty works by Christus are known, one of which is The Virgin and Child, probably the surviving part of a triptych for home devotion. Framed by a semi-circular arch resting on slender columns and with a pleasant landscape in the background, the Virgin looks tenderly down at the naked Infant supported on her arm. Every detail has been painted with meticulous care - the minute wrinkles on the Infant's face, the foliage of the trees in the distance and the statuette of Adam and Eve on the columns at the sides, which, in alluding to the Fall, emphasize the coming Redemption through Christ. Other versions and copies have survived, indicating the popularity of this picture over the years, but unfortunately none of them give any clue as to when it was painted or who commissioned it.Artist:CHRISTUS, Petrus Title: Madonna Painted in 1451-1500 , Flemish - - painting : religious
Flemish 1415-1473 Petrus Christus Locations

   
 

 

 
   
      

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Lucas Cranach

Kronach 1472-Weimar 1553

Gemälde ID::  70463
Madonna
Medium Oil on wood Dimensions Expression error: Missing operand for *60 ?? 42 cm
Kronach 1472-Weimar 1553

   
 

 

 
   
      

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Albrecht Durer

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

Gemälde ID::  71625
Madonna
Date 1505
b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

Gemälde ID::  76916
Madonna
c. 1519-1522 Oil on wood 75,8 x 65 cm cjr
German 1480-1538 Albrecht Altdorfer Galleries

   
 

 

 
   
      

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Ambrogio Lorenzetti

Italian Byzantine Style Painter, ca.1290-1348

Gemälde ID::  79483
Madonna
1319(1319) Oil on panel 85 x 57 cm (33.5 x 22.4 in) cjr
Italian Byzantine Style Painter, ca.1290-1348

   
 

 

 
   
      

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Albrecht Altdorfer

German 1480-1538 Albrecht Altdorfer Galleries

Gemälde ID::  80292
Madonna
Deutsch: um 1519-1522 English: c. 1519-1522 Medium Oil on wood Dimensions 75,8 x 65 cm cyf
German 1480-1538 Albrecht Altdorfer Galleries

   
 

 

 
   
      

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Ambrogio Lorenzetti

Italian Byzantine Style Painter, ca.1290-1348

Gemälde ID::  82390
Madonna
1319(1319) Medium Oil on panel Dimensions 85 x 57 cm (33.5 x 22.4 in) cyf
Italian Byzantine Style Painter, ca.1290-1348

   
 

 

 
   
      

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Bartolome Esteban Murillo

Spanish 1618-1682 Bartolome Esteban Murillo Galleries

Gemälde ID::  84396
Madonna
Date ca. between 1655(1655) and 1660(1660) Medium Oil on canvas Dimensions 157 x 107 cm (61.8 x 42.1 in) cjr
Spanish 1618-1682 Bartolome Esteban Murillo Galleries

   
 

 

 
   
      

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Perez, Antonio Gisbert

Spanish Painter, 1835-1902

Gemälde ID::  87149
Madonna
. 1670(1670) Medium Oil on canvas Dimensions 166 x 115 cm cyf
Spanish Painter, 1835-1902

   
 

 

 
   
      

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Bartolome Esteban Murillo

Spanish 1618-1682 Bartolome Esteban Murillo Galleries

Gemälde ID::  88187
Madonna
Oil on canvas Dimensions 157 x 107 cm (61.8 x 42.1 in) cyf
Spanish 1618-1682 Bartolome Esteban Murillo Galleries

   
 

 

 
   
      

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Boccaccio Boccaccino

(c. 1467 - c. 1525) was a painter of the early Italian Renaissance, belonging to the Emilian school. He is profiled in Vasari's Le Vite delle pie eccellenti pittori, scultori, ed architettori (or, in English, Lives of the Most Excellent Painters, Sculptors, and Architects). He was born in Ferrara and studied there, probably under Domenico Panetti. Few facts of his life are known. His principal artistic activity was in Venice, Ferrara, and especially in Cremona, where he founded a school in which Garofalo was a pupil. His most celebrated achievement is the frescoes in the Cathedral of Cremona (1506-1519) representing the Birth of the Virgin and some subjects from her life. His position there was taken over by Altobello Melone. His remaining works, which include the Marriage of Saint Catherine (Accademia), the Virgin and Child with Four Saints (Venice, San Giuliano), the Virgin and Two Saints (Cremona, San Quirilo), and the Holy Family (Paris, Louvre), are considered by Lanzi remarkable for richness of drapery, variety of color, spirit and grace of attitude, and harmony of landscape. Several works formerly attributed to Pietro Perugino, Pinturicchio, and Garofalo are now ascribed to Boccaccino. His son and pupil Camillo Boccaccino (1501-46) was a painter at Cremona.

Gemälde ID::  96447
Madonna
oil on canvas cyf
(c. 1467 - c. 1525) was a painter of the early Italian Renaissance, belonging to the Emilian school. He is profiled in Vasari's Le Vite delle pie eccellenti pittori, scultori, ed architettori (or, in English, Lives of the Most Excellent Painters, Sculptors, and Architects). He was born in Ferrara and studied there, probably under Domenico Panetti. Few facts of his life are known. His principal artistic activity was in Venice, Ferrara, and especially in Cremona, where he founded a school in which Garofalo was a pupil. His most celebrated achievement is the frescoes in the Cathedral of Cremona (1506-1519) representing the Birth of the Virgin and some subjects from her life. His position there was taken over by Altobello Melone. His remaining works, which include the Marriage of Saint Catherine (Accademia), the Virgin and Child with Four Saints (Venice, San Giuliano), the Virgin and Two Saints (Cremona, San Quirilo), and the Holy Family (Paris, Louvre), are considered by Lanzi remarkable for richness of drapery, variety of color, spirit and grace of attitude, and harmony of landscape. Several works formerly attributed to Pietro Perugino, Pinturicchio, and Garofalo are now ascribed to Boccaccino. His son and pupil Camillo Boccaccino (1501-46) was a painter at Cremona.

   
 

 

 
   
      

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Bartolome Perez

(1634-1693) was a Spanish painter of the Baroque period. Born in Madrid, he became the son-in-law and pupil of the painter Juan de Arellano. Known as a painter of flowers and still life, known as bodegones. He also painted scenography for performances at the theater of Buen Retiro, for which he was named painter of the King without salary in January of 1689. He died after falling from a scaffold used to paint the ceiling of the palace of Monteleon, and was buried in the church of San Ildefonso.

Gemälde ID::  97152
Madonna
circa 1670(1670) Medium oil on canvas Dimensions 166 X 115 cm cyf
(1634-1693) was a Spanish painter of the Baroque period. Born in Madrid, he became the son-in-law and pupil of the painter Juan de Arellano. Known as a painter of flowers and still life, known as bodegones. He also painted scenography for performances at the theater of Buen Retiro, for which he was named painter of the King without salary in January of 1689. He died after falling from a scaffold used to paint the ceiling of the palace of Monteleon, and was buried in the church of San Ildefonso.

   
 

 

 
   
      

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Bartolome Esteban Murillo

Spanish 1618-1682 Bartolome Esteban Murillo Galleries

Gemälde ID::  97420
Madonna
oil on canvas Dimensions 157 X 107 cm cyf
Spanish 1618-1682 Bartolome Esteban Murillo Galleries

   
 

 

 
   
      

Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries
Madonna

        
 
   
 

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