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REMBRANDT Harmenszoon van Rijn
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| Born 1606, Died 1669 | ||||
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Die drei Kreuze new16/REMBRANDT Harmenszoon van Rijn-793972.jpg Gemälde IDENTIFIZIERUNG:: 42711 |
MK169 ca. 1660 Staatlich iv. Trocknen Sie Nadel und ätzend auf Papier38.4x45cm | ||
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REMBRANDT Harmenszoon van Rijn
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| Born 1606, Died 1669 | ||||
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Die drei Kreuze new16/REMBRANDT Harmenszoon van Rijn-522844.jpg Gemälde IDENTIFIZIERUNG:: 42712 |
MK169 Detail vom Britischen Museum von Staatlichen III MK169 1653 Hat Belohnt | ||
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RUBENS, Pieter Pauwel
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| Flemish Baroque Era Painter, 1577-1640 | ||||
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The Three Crosses new16/RUBENS, Pieter Pauwel-247829.jpg Gemälde IDENTIFIZIERUNG:: 43906 |
c. 1620 Oil on canvas | ||
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REMBRANDT Harmenszoon van Rijn
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| Born 1606, Died 1669 | ||||
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The Three Crosses new21/REMBRANDT Harmenszoon van Rijn-253584.jpg Gemälde IDENTIFIZIERUNG:: 63956 |
1653 Drypoint and burin printed on vellum, 381 x 438 mm Metropolitan Museum of Art, New York Rembrandt's romance with drypoint in the 1650s and 1660s is one of the important milestones in the history of printmaking. His inventiveness in this medium led to the creation of compositions that offered more complex visual information and variety of drama than previously had been imagined, and whereas earlier intaglio prints had been translucent and in general rather bodiless, Rembrandt's had a structure and richness of surface that approximate many of his great oil paintings. Moreover, they are illumined by an expressive power that never fails to pierce to the heart of things, whether the subject be, as it is here, a momentous scene from Scripture or the simplest study of still life. , Artist: REMBRANDT Harmenszoon van Rijn , The Three Crosses (second state) , 1601-1650 , Dutch , graphics , religious | ||
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