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Caravaggio
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| Italian Baroque Era Painter, ca.1571-1610 | ||||
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David mit dem Kopf von Goliath new2/Caravaggio-836973.jpg Gemälde IDENTIFIZIERUNG:: 26765 |
das Öl von mk52 C. 1610 auf Leinwand 125x100cm Galleria Borgese Rom | ||
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Caravaggio
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| Italian Baroque Era Painter, ca.1571-1610 | ||||
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David mit dem Kopf von Goliath new12/Caravaggio-469597.jpg Gemälde IDENTIFIZIERUNG:: 39617 |
der Unterausschuss 90.5x116cm von mk150 C. 1606 | ||
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Guido Reni
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| 1575-1642 Italian Guido Reni Galleries | ||||
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David mit dem Kopf von Goliath new16/Guido Reni-945329.jpg Gemälde IDENTIFIZIERUNG:: 40409 |
das Öl von mk156 C. 1605 auf Leinwand 237x137cm | ||
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Gian Lorenzo Bernini
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| Italian sculptor , b. 1598, Napoli, d. 1680, Roma | ||||
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David with the Head of Goliath new18/Gian Lorenzo Bernini-554742.jpg Gemälde IDENTIFIZIERUNG:: 51190 |
1625 Oil on canvas, 75 x 65,5 cm | ||
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FETI, Domenico
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| Italian Baroque Era Painter, ca.1589-1624 | ||||
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David with the Head of Goliath new21/FETI, Domenico-737227.jpg Gemälde IDENTIFIZIERUNG:: 63052 |
1620 Oil on canvas, 153 x 125,1 cm Royal Collection, Windsor Feti was a peripatetic artist. Having been trained in Rome by the Florentine painter, Lodovico Cigoli, he worked at the court of Mantua from around 1613 and towards the end of his life spent some time in Venice. His principal patron was Duke Ferdinando Gonzaga at Mantua and it was with the purchase of the Gonzaga collection in 1625-27 that Charles I acquired a number of works by Feti. The artist was influenced by Venetian painters, as well as by Elsheimer and Rubens. His portraits and a series of small-scale pictures illustrating parables, probably commissioned by Ferdinando Gonzaga, are perhaps his best works. The artists technique is distinctive, with rapid brushstrokes of pure colour applied as highlights over broader areas of paint on canvases primed with dark tones. Similarly, the poses of his figures and the choice of viewpoints are often unusual. David with the Head of Goliath almost certainly formed part of the Gonzaga collection. A version of some quality is in Dresden (Staatliche Kunstsammlungen) and others are recorded. A date around 1620 has been suggested, that is, before the artist moved to Venice in 1622. The pose is somewhat reminiscent of the Ignudi by Michelangelo on the ceiling of the Sistine Chapel in Rome, and it is possible that the painting was meant to be hung as an overdoor. The present work depicts the story of David and Goliath as recounted in the first Book of Samuel, 17:48-51. The shepherd boy, David, defeats Goliath, the champion of the Philistines, in single combat using a sling with a stone. Afterwards David cuts off Goliath's head using the giants own sword. The body of Goliath is visible on the left in the middle distance. Feti cleverly contrasts the large scale of the decapitated head and sword with David's smaller body. Artist: FETI, Domenico Painting Title: David with the Head of Goliath , 1601-1650 Painting Style: Italian , , religious | ||
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