Öl auf dem Segeltuch,das echte Aroma von alten Meistern

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MASSYS, Quentin
      Flemish Northern Renaissance Painter, ca.1465-1530
MASSYS, Quentin St John Altarpiece Germany oil painting artist


St John Altarbild
new4/MASSYS, Quentin-478772.jpg
Gemälde IDENTIFIZIERUNG::  32405 		  1507-08 Öle auf Holz, 260 X 504 cm

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WEYDEN, Rogier van der
      Netherlandish Northern Renaissance Painter, ca.1400-1464
WEYDEN, Rogier van der St John Altarpiece Germany oil painting artist


St John Altarpiece
new18/WEYDEN, Rogier van der-494734.jpg
Gemälde IDENTIFIZIERUNG::  51157 		  1455-60 Oil on oak panel, 77 x 48 cm

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WEYDEN, Rogier van der
      Netherlandish Northern Renaissance Painter, ca.1400-1464
WEYDEN, Rogier van der St John Altarpiece Germany oil painting artist


St John Altarpiece
new18/WEYDEN, Rogier van der-996385.jpg
Gemälde IDENTIFIZIERUNG::  51168 		  1455-60 Oil on oak panel, 77 x 48 cm

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WEYDEN, Rogier van der
      Netherlandish Northern Renaissance Painter, ca.1400-1464
WEYDEN, Rogier van der St John Altarpiece Germany oil painting artist


St John Altarpiece
new21/WEYDEN, Rogier van der-329299.jpg
Gemälde IDENTIFIZIERUNG::  63861 		  1455-60 Oil on oak panel, 77 x 48 cm Staatliche Museen, Berlin The left panel depicts the Naming of John the Baptist. Elisabeth lies in bed in the background after giving birth, while the pregnant Mary, the future mother of Jesus, brings the newborn child to his father Zacharias. Zacharias had been struck dumb for his doubts when an angel told him, during service in the temple, that he was to be the father of a son (this scene is shown in the lowest archivolt relief on the left). He therefore has to write down the name of the child. Mary, as the more important saint, is distinguished from Zacharias and Elisabeth by her aureole. The side panels of the St John Altarpiece do not merely show the beginning and end of the Baptist's earthly life. The parallels between the pictorial motifs also express moral conflict. On the left, the chaste Virgin Mary holds the newborn baby in her arms; she and Zacharias are looking at one another gravely, aware of the significance of the event.Artist:WEYDEN, Rogier van der Title: St John Altarpiece (left panel) Painted in 1401-1450 , Flemish - - painting : religious

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WEYDEN, Rogier van der
      Netherlandish Northern Renaissance Painter, ca.1400-1464
WEYDEN, Rogier van der St John Altarpiece Germany oil painting artist


St John Altarpiece
new21/WEYDEN, Rogier van der-686559.jpg
Gemälde IDENTIFIZIERUNG::  63871 		  1455-60 Oil on oak panel Staatliche Museen, Berlin The body of the executed man is part of the foreground group, and the executioner can set his sword against John's right shoulder, shown in a flat plane. At the same time, however, two mourners who belong to the background are placed directly above the cellar stairs where the dead man is lying, and a figure diminished to about one-third of the size of the foreground figures appears to be standing only a little farther back from them.Artist:WEYDEN, Rogier van der Title: St John Altarpiece (detail) Painted in 1401-1450 , Flemish - - painting : religious

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