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Blake, William
 
Blake, William The Circle of the Life of Man oil


    The Circle of the Life of Man
   new18/Blake, William-379288.jpg
  Gemälde IDENTIFIZIERUNG::  50849
  mk216
   
 
 
 
 
   

Blake, William madonnan med jed jesusbarnet i egypten oil


    madonnan med jed jesusbarnet i egypten
   new20/Blake, William-935752.jpg
  Gemälde IDENTIFIZIERUNG::  56475
  mk248 en av fyra likra liknande malningar som blake gjorde for att tacka mecenat, tbomas butts, som stodde bonom genom att lata sin son fa teckningslektioner bos bonom, blake tyckte att det var mer etiskt att mala med vattenbaserade temperafrger an eferson de stallde storre krav pa konstnarns skivkligbret.
   
 
 
 
 
   

Blake, William newton oil


    newton
   new20/Blake, William-459454.jpg
  Gemälde IDENTIFIZIERUNG::  56476
  mk248 i detta stora,myckrt avabcerade faryck cisaac newton ar fullt upptgen med att eatisera universum med bjalp av en passare. blake bar delat upp bakgrunden i en ljus ocb en mork del ovb vill darmed antyda att den store matematikern ovb fysikern inte astadkom upplysning utan en gudlos andlos natt. blake trodde att endast konstnarer bade formagn till gudomlig insikt ocb attsjalen alltid kampade for att befria sig fran fornuftetes ocb den org aniserase religionens bojor.
   
 
 
 
 
   

Blake, William Nebuchadnezzar oil


    Nebuchadnezzar
   new21/Blake, William-662424.jpg
  Gemälde IDENTIFIZIERUNG::  62536
  1795 Copper engraving with pen and ink and watercolour, 446 x 620 mm Tate Gallery, London Blake produced in the mid-1790s a series of large colour prints on themes of oppression, one of which is Nebuchadnezzar. This plate depicts the animal state to which man had been reduced after the Fall, so vividly personified in the crouching form and sullen stare of his Nebuchadnezzar. Author: BLAKE, William Title: Nebuchadnezzar Form: graphics , 1751-1800 , English , other
   
 
 
 
 
   

Blake, William The Descent of Christ oil


    The Descent of Christ
   new21/Blake, William-723553.jpg
  Gemälde IDENTIFIZIERUNG::  62540
  1804-20 Etching with pen, watercolour and gold, 219 x 159 mm Yale Center for British Art, New Haven This is Plate 35 of the illustrated poem Jerusalem. In this early page of Jerusalem, the sleeping Albion is visited by Christ, who awakens his dormant desire for salvation. Though Albion is not yet conscious of Christ's sacrifice, its promise is foreshadowed by the new body that begins to emerge from his breast. Author: BLAKE, William Title: The Descent of Christ Form: graphics , 1751-1800 , English , religious
   
 
 
 
 
   

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