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    Vorherig  2  3  4  5  6  7
      Nächster Künstler    

Benozzo Gozzoli
 
Benozzo Gozzoli Scenes From the Life of St.Augustine oil


    Scenes From the Life of St.Augustine
   new19/Benozzo Gozzoli-957569.jpg
  Gemälde IDENTIFIZIERUNG::  53416
  mk231 Oil on canvas
   
 
 
 
 
   

Benozzo Gozzoli Journey of the Magi to Bethlehem oil


    Journey of the Magi to Bethlehem
   new20/Benozzo Gozzoli-234376.jpg
  Gemälde IDENTIFIZIERUNG::  55949
  mk247 C.1460,fresco(detail, ', ', ', ', ', ', ', '),chapel of the palazzo medici-riccardi,florence,ltaly
   
 
 
 
 
   

Benozzo Gozzoli Adoration of the Magi oil


    Adoration of the Magi
   new21/Benozzo Gozzoli-633699.jpg
  Gemälde IDENTIFIZIERUNG::  62397
  1440-41 Fresco Convento di San Marco, Florence Benozzo Gozzoli was a student of Fra Angelico who had a formative influence on him. He collaborated in the pictorial decoration of the dormitory cells in the Florentine Dominican monastery of San Marco, which took place from 1438 to 1444/45. There Fra Angelico and his assistants were painting a small devotional fresco in each cell, while Cosimo de' Medici's double cell (cell 38/39) was furnished with a larger wall painting, the Adoration of the Magi (cell 39) and a Crucifixion with Saints Cosmas, Damian, John and Peter (cell 38, the vestibule). The complete integration of the youthful Benozzo's artistic style with that of Fra Angelico has meant that it is only in recent times that it has been possible to identify with a fair degree of accuracy a variety of interventions by his hand, which were first limited to isolated figures or group of figures. Later he had more responsibility and scholars now agree that he was almost exclusively responsible for the decoration of Cosimo de' Medici's cells. Gozzoli's decisive part in the production of the Adoration of the Magi can be recognised stylistically by the fact that, compared t the works of his teacher, the colours are softer, the plasticity of forms is reduced in favour of sharper contours, and the landscape in the background acts as a backdrop. Here the religious theme of the Epiphany is set in a bleak rocky landscape which rises up behind the Three Kings' retinue. This corresponds to the religious mood of Fra Angelico's pictures and does justice to the fresco's function as a devotional picture
   
 
 
 
 
   

Benozzo Gozzoli Procession of the Middle King oil


    Procession of the Middle King
   new21/Benozzo Gozzoli-296843.jpg
  Gemälde IDENTIFIZIERUNG::  62401
  1459-60 Fresco Chapel, Palazzo Medici-Riccardi, Florence The middle king is represented with the features of Emperor John VII Paleologus. For this representation Benozzo based his work on a medallion designed by Pisanello in 1438. However, he made the face younger and replace the traditional and unwieldy Byzantine tiara with a crown resting on a peacock-plumed velvet cap. Author: GOZZOLI, Benozzo Title: Procession of the Middle King (detail) , 1451-1500 , Italian Form: painting , religious
   
 
 
 
 
   

Benozzo Gozzoli Triumph des Hl. Thomas von Aquin uber Averroes oil


    Triumph des Hl. Thomas von Aquin uber Averroes
   new25/Benozzo Gozzoli-733464.jpg
  Gemälde IDENTIFIZIERUNG::  90223
  1468-1484 Medium oil on panel Dimensions Deutsch: 227 x 102 cm cjr
   
 
 
 
 
   

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