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Vorheriger Künstler

Johann Heinrich Fuseli
 
Johann Heinrich Fuseli Silence oil


    Silence
   new19/Johann Heinrich Fuseli-865449.jpg
  Gemälde IDENTIFIZIERUNG::  52492
  1799-1801 Oil on canvas, 63,5 x 51,5 cm
   
 
 
 
 
   

Johann Heinrich Fuseli Lady Macbeth with the Daggers oil


    Lady Macbeth with the Daggers
   new19/Johann Heinrich Fuseli-579246.jpg
  Gemälde IDENTIFIZIERUNG::  52497
  1812 Oil on canvas, 101,6 x 127 cm
   
 
 
 
 
   

Johann Heinrich Fuseli The Artist Moved by the Grandeur of Antique Fragments oil


    The Artist Moved by the Grandeur of Antique Fragments
   new21/Johann Heinrich Fuseli-685758.jpg
  Gemälde IDENTIFIZIERUNG::  62501
  1778-79 Red chalk on sepia wash, 415 x 355 mm Kunsthaus, Z?rich The young Henry Fuseli, in the late 1770s, portrayed himself reduced to despair before the vastness of Rome's remains. Since he had spent eight years studying in the city, his awe was doubtless exaggerated, but it was also a premonition of the powerful emotions that were to be released in his art. Author: FUSELI, John Henry Title: The Artist Moved by the Grandeur of Antique Fragments Form: graphics , 1751-1800 , Swiss , other
   
 
 
 
 
   

Johann Heinrich Fuseli Brunhilde Observing Gunther oil


    Brunhilde Observing Gunther
   new21/Johann Heinrich Fuseli-357394.jpg
  Gemälde IDENTIFIZIERUNG::  62502
  Whom She Has Tied to the Ceiling 1807 Pencil, pen and ink and wash, 483 x 317 mm City Museum and Art Gallery, Nottingham The subject is taken from the Niebelung Saga (X, 648-50). Author: FUSELI, John Henry Title: Brunhilde Observing Gunther, Whom She Has Tied to the Ceiling Form: graphics , 1751-1800 , Swiss , other
   
 
 
 
 
   

Johann Heinrich Fuseli Portrait of a Young Woman oil


    Portrait of a Young Woman
   new21/Johann Heinrich Fuseli-686392.jpg
  Gemälde IDENTIFIZIERUNG::  62845
  101 x 127 cm Institue of Arts, Detroit This portrait is painted on the reverse of the Nightmare. The portrait is generally believed to be of the woman Fuseli loved, Anna Landolt, who was a niece of the Zerich physiologist Johann Caspar Lavater (1741-1801). Lavater and Fuseli were close friends, but Fuseli's suit was rejected by Anna's parents, and it may not be coincidence that the portrait is on the reverse of his painting The Nightmare. Artist: FUSELI, John Henry Title: Portrait of a Young Woman , painting Date: 1751-1800 Swiss : portrait
   
 
 
 
 
   

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