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Artists
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Caspar David Friedrich
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Cross in the Mountains new21/Caspar David Friedrich-764878.jpg Gemälde IDENTIFIZIERUNG:: 62509 |
1805-06 Pencil and sepia, 640 x 931 mm Staatliche Museen, Berlin Author: FRIEDRICH, Caspar David Title: Cross in the Mountains Form: graphics , 1801-1850 , German , landscape | |
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Woman before the Rising Sun new21/Caspar David Friedrich-769578.jpg Gemälde IDENTIFIZIERUNG:: 62853 |
1818-20 Oil on canvas, 22 x 30 cm Museum Folkwang, Essen In 1818, at the age of 44, Friedrich married Caroline Brommer, a cheerful 25 years old Saxon woman. That Caroline was a positive influence on the artist, which is evidenced by the fact that, from this point on, women appear with greater frequency in his work. A new, friendly element seems to enter his pictures. A case in point is the painting to which some authors give the title Woman before the Rising Sun, and which others call Woman before the Setting Sun. The woman seen in rear view appears as a large silhouette against the intense reddish-yellow of the sky. It is difficult to interpret the fervent gesture of her outstretched arms and the stylised rays radiating from the mountains on the hazy horizon, heralding the presence of the invisible sun. Caroline was probably the model for the female figure in old-German dress. Since she is stepping towards the light like an early Christian in prayer, some have sought to interpret the painting in terms of a communion with nature. On the other hand, the atmosphere evoked in Friedrich's painting might be interpreted as that of dusk, the path which terminates so abruptly as an announcement of death, and the boulders scattered alongside the path as symbols of faith. In the final analysis, few of Friedrich's pictures are as emphatic and almost exaggeratedly symbolic in their effect - factors which render the painting not unproblematic for the viewer. Artist: FRIEDRICH, Caspar David Title: Woman before the Rising Sun (Woman before the Setting Sun) , painting Date: 1801-1850 German : landscape | |
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The Watzmann new21/Caspar David Friedrich-548392.jpg Gemälde IDENTIFIZIERUNG:: 62856 |
1824-25 Oil on canvas, 135 x 170 cm Nationalgalerie, Berlin Throughout his life, Friedrich demonstrated himself to be closely attached to his home. His numerous trips and walking tours to central Germany, Silesia, Bohemia, Greifswald, Neubrandenburg and Regen never actually took him very far away. He never visited southern Germany, for example, and his painting of The Watzmann - a mountain near Berchtesgaden, portrayed here rising like a Gothic cathedral in its stone majesty - was inspired by a watercolour by his pupil August Heinrich. It also rivalled a painting by Adrian Ludwig Richter of the same title, which went on show in Dresden in 1824 and was intended to back up Richter's application for the professorship in landscape painting at the Academy, the post to which Friedrich also aspired. Despite its apparent fidelity to nature, the painting reveals a somewhat fantastical element in its mixture of different geological formations and its unnatural ratios of scale. Artist: FRIEDRICH, Caspar David Title: The Watzmann , painting Date: 1801-1850 German : landscape | |
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The wanderer above the sea of fog new22/Caspar David Friedrich-266573.jpg Gemälde IDENTIFIZIERUNG:: 66222 |
Oil on canvas 98 x 74 cm (38.58 x 29.13 in) 1818 | |
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Caspar David Friedrich new23/Caspar David Friedrich-664954.jpg Gemälde IDENTIFIZIERUNG:: 67405 |
Oil Painting by Caspar David Friedrich November 1810 | |
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| Vorheriger Künstler Nächster Künstler | |||
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